Both of these can be upgraded with additional algorithms at $19.99 each, thanks to the magic of the internet, but the simplest and most satisfying solution – assuming that you’re not concerned by such minor trivialities as cost – is surely to cut straight to the Max version. The standard H9 (£479) takes eight of its nine algorithms from those pedals, the ninth being an UltraTap delay that isn’t found anywhere else the H9 Core is a cheaper option at £359, which comes with just pitch and delay effects. A more obvious link is to the current TimeFactor, ModFactor, PitchFactor and Space units, Eventide’s first forays into floor-dwelling effects. Eventide has been making pro studio processors for 40 years, and the bloodline of the H9 series traces right back to the original H910 Harmonizer, one of the very first devices to offer digital pitch manipulation. And, yes, it also alludes to a recommended retail price that can be described only as spectacular.īear in mind, though, that this is very far from being an ordinary stomper. What we’re looking at here is, in fact, an identical enclosure but the addition of the word `Max’ denotes a whole new level of sonic potential on the inside – including access to Eventide’s new distortion algorithm, CrushStation. Does this look familiar? Back in June 2014, we reviewed a little white box called the Eventide H9, which blew us across the room with its studio-quality delays, reverbs and pitch-shifting effects.
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